1
00:00:01,020 --> 00:00:03,940
DISCLAIMER: The following programme
contains strong language.

2
00:00:10,020 --> 00:00:12,020
(CLOCK TICKING)

3
00:00:13,180 --> 00:00:14,820
(THERAPIST SPEAKS ITALIAN)

4
00:00:14,860 --> 00:00:16,860
(LIGAS SIGHS)

5
00:00:16,900 --> 00:00:19,140
(DISTANT TRAFFIC RUMBLING OUTSIDE)

6
00:00:40,380 --> 00:00:42,860
(SCOFFS, CHUCKLES)

7
00:01:42,060 --> 00:01:44,500
(TENSE, VIBRATING MUSIC)
(TICKING GETS LOUDER)

8
00:01:45,780 --> 00:01:47,980
(SCRIBBLING SCRATCHES, ECHOES)
(GASPS)

9
00:02:15,500 --> 00:02:18,260
(PENSIVE MUSIC)
(PEN SCRATCHES)

10
00:02:21,180 --> 00:02:23,180
(SCOFFS)

11
00:02:29,340 --> 00:02:31,860
♪ FONTAINES DC: Bug ♪
(RHYTHMICAL ACOUSTIC GUITAR MUSIC)

12
00:02:32,860 --> 00:02:34,860
(DOOR OPENS)

13
00:02:34,900 --> 00:02:36,860
(DOOR CLOSES)

14
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♪ Changed my name
To "promise you," yeah

15
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♪ Dyin' inside cos I want you, yeah

16
00:02:44,340 --> 00:02:47,300
♪ Didn't I say I wanted to heal?

17
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♪ Honey,
I've changed before you, yeah

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♪ 28 years are coming to end

19
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♪ The rain chased me
Down the gully again

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♪ Now I'm higher than anyone here

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♪ O-oh
♪ And dirt ain't nothin' on me ♪

22
00:03:08,540 --> 00:03:10,660
(PEOPLE CHATTERING)
(GENTLE MUSIC PLAYS)

23
00:03:47,020 --> 00:03:49,060
(SIGHS)

24
00:04:23,380 --> 00:04:25,740
(BREATHES DEEPLY)
(PENSIVE, SOLEMN MUSIC)

25
00:05:05,580 --> 00:05:08,300
(SUSPENSEFUL, APPREHENSIVE,
PULSATING MUSIC)

26
00:05:23,580 --> 00:05:25,900
(TRAFFIC RUMBLING)

27
00:05:28,260 --> 00:05:30,260
(TENSE, PENSIVE MUSIC)

28
00:05:40,660 --> 00:05:42,300
(ENGINE STOPS)

29
00:05:46,860 --> 00:05:48,860
(CAR DOOR THUDS)

30
00:06:06,980 --> 00:06:08,980
(TROLLEY CLATTERS INTO AMBULANCE)

31
00:06:16,500 --> 00:06:17,500
Hm.

32
00:06:19,100 --> 00:06:20,500
(SCOFFS SOFTLY)

33
00:06:25,220 --> 00:06:27,260
(MOBILE VIBRATING)

34
00:06:39,060 --> 00:06:41,060
(SIGHS DEEPLY)

35
00:06:47,620 --> 00:06:49,620
(APPREHENSIVE, PULSATING MUSIC)

36
00:07:01,620 --> 00:07:03,820
(MOBILE VIBRATING)
(SIGHS)

37
00:07:39,900 --> 00:07:41,540
(SIGHS IN AGREEMENT)

38
00:07:43,860 --> 00:07:46,260
(DISTANT BIRD CAWING)
(TRAFFIC RUMBLING)

39
00:07:58,540 --> 00:08:00,540
(SIGHS IN RELIEF)

40
00:08:05,620 --> 00:08:07,980
(SCOFFS, CHUCKLES)

41
00:09:46,780 --> 00:09:48,500
(PROSECUTOR CHUCKLES)

42
00:10:49,180 --> 00:10:51,180
(JUDGE SIGHS PENSIVELY)

43
00:11:23,020 --> 00:11:25,020
(SIGHS)

44
00:11:26,900 --> 00:11:28,780
(SIGHS DISAPPROVINGLY)

45
00:11:34,180 --> 00:11:36,140
(SIGHS)

46
00:11:50,500 --> 00:11:53,260
(UPBEAT, ROCK-STYLE GUITAR MUSIC)

47
00:11:54,780 --> 00:11:57,060
(TRAM BELL RINGS)
(TRAM RATTLING) (TRAFFIC RUMBLING)

48
00:12:10,060 --> 00:12:12,060
(GROANS)

49
00:12:39,940 --> 00:12:41,940
Mm.

50
00:12:43,540 --> 00:12:45,540
(CHUCKLES)

51
00:12:58,740 --> 00:13:00,740
Hm.

52
00:13:12,020 --> 00:13:14,020
(LAUGHS)

53
00:13:32,860 --> 00:13:35,260
(CHUCKLES)
(SCOFFS, CHUCKLES)

54
00:13:38,540 --> 00:13:41,180
(GRUNTS) Mm.

55
00:13:44,220 --> 00:13:46,220
Uh...

56
00:14:01,460 --> 00:14:03,540
(LAUGHS)

57
00:14:19,980 --> 00:14:21,420
(SIGHS DEEPLY)

58
00:14:48,380 --> 00:14:51,540
(SCOFFS, CHUCKLES SOFTLY)
(TAP WATER RUNNING)

59
00:15:17,660 --> 00:15:19,660
(SIGHS)

60
00:15:32,380 --> 00:15:35,140
(SIGHS SHARPLY)
(PENSIVE, MARCH-STYLE GUITAR MUSIC)

61
00:15:40,100 --> 00:15:42,100
(SCOFFS)

62
00:15:42,140 --> 00:15:44,020
(HOB IGNITER CLICKS)

63
00:15:50,740 --> 00:15:52,740
(CHUCKLES)

64
00:16:06,180 --> 00:16:08,660
(CHUCKLES THOUGHTFULLY)

65
00:16:08,700 --> 00:16:10,900
Mm?(SCOFFS)
(CHUCKLES)

66
00:17:17,380 --> 00:17:19,060
(GLOATING MUSIC)

67
00:18:17,620 --> 00:18:19,340
(CHUCKLES)

68
00:19:10,860 --> 00:19:12,700
Hm.

69
00:19:28,100 --> 00:19:30,100
Linda.

70
00:19:37,820 --> 00:19:39,820
(SUSPENSEFUL TICKING MUSIC)

71
00:19:50,900 --> 00:19:52,500
Hm.

72
00:20:08,060 --> 00:20:10,060
(PENSIVE ELECTRIC GUITAR MUSIC)

73
00:20:16,180 --> 00:20:18,180
Mm-hm.

74
00:20:30,100 --> 00:20:32,100
(RUMINATIVE MUSIC)

75
00:21:27,740 --> 00:21:29,940
Mm-hm.
(RUMINATIVE MUSIC CONTINUES)

76
00:21:29,980 --> 00:21:32,580
(MOBILE VIBRATING)

77
00:21:50,460 --> 00:21:52,460
(CHUCKLES SOFTLY)

78
00:21:53,380 --> 00:21:55,380
(INHALES DEEPLY, SIGHS)

79
00:21:58,620 --> 00:22:01,980
♪ OMINOSTANCO: Porta Venezia ♪
(UPBEAT ELECTRONIC ITALIAN POP MUSIC)

80
00:22:05,020 --> 00:22:07,020
(SIGHS)

81
00:22:10,340 --> 00:22:12,300
(TRAM RATTLING)

82
00:22:12,340 --> 00:22:14,380
(HORNS HONKING FAINTLY IN DISTANCE)

83
00:22:29,100 --> 00:22:31,100
(MUSIC GRADUALLY FADES OUT)

84
00:22:31,140 --> 00:22:33,380
(GENTLE JAZZ MUSIC PLAYS
IN BACKGROUND)

85
00:22:51,260 --> 00:22:53,260
Mm-hm.

86
00:24:01,380 --> 00:24:03,860
(CHUCKLES)

87
00:24:23,300 --> 00:24:25,300
♪ QUEEN: Cool Cat ♪
(FUNKY, CONFIDENT MUSIC)

88
00:24:26,700 --> 00:24:28,700
(TRAFFIC RUMBLING)

89
00:24:31,060 --> 00:24:32,740
(PEOPLE CHATTERING SOFTLY)

90
00:24:56,020 --> 00:24:57,540
Mm!

91
00:25:21,140 --> 00:25:22,900
Mm-hm.

92
00:25:33,340 --> 00:25:36,460
- Mm.
- Mm.
(CHUCKLES)

93
00:25:44,060 --> 00:25:46,060
Ah.

94
00:26:11,780 --> 00:26:14,540
(BOTH LAUGH)

95
00:26:28,100 --> 00:26:29,900
Hm?

96
00:26:54,460 --> 00:26:55,940
(LAUGHS)

97
00:27:01,900 --> 00:27:03,940
♪ I HATE MY VILLAGE:
Tony Hawk Of Ghana ♪

98
00:27:03,980 --> 00:27:05,980
(LO-FI, PSYCHEDELIC GROOVE MUSIC)

99
00:27:11,300 --> 00:27:13,540
♪ You keep out of the way

100
00:27:16,380 --> 00:27:18,300
♪ Drive this way

101
00:27:18,340 --> 00:27:20,980
♪ That is a way to save your bones

102
00:27:22,020 --> 00:27:23,980
♪ Ride this street

103
00:27:24,020 --> 00:27:27,460
♪ Come on, get up with me, hey...
(GLASS BOTTLE SMASHES)

104
00:27:27,500 --> 00:27:29,900
♪ It's back on me

105
00:27:29,940 --> 00:27:32,620
♪ Can you feel
The weight of a dream?...

106
00:27:35,420 --> 00:27:37,700
♪ Honey, wait

107
00:27:38,540 --> 00:27:41,100
♪ Come taste

108
00:27:41,900 --> 00:27:44,020
♪ That a-cream

109
00:27:44,060 --> 00:27:46,020
♪ That is the way to keep it...

110
00:28:03,580 --> 00:28:06,220
(MOBILE VIBRATING)
♪ Come on, come on, direct me

111
00:28:07,020 --> 00:28:08,780
♪ Come on, come on, direct me

112
00:28:08,820 --> 00:28:12,020
♪ He-e-e-ere

113
00:28:15,580 --> 00:28:17,580
♪ He-e-e-ere

114
00:28:19,380 --> 00:28:22,100
♪ Oh, yeah, yeah
(VOCALISES)...

115
00:28:25,020 --> 00:28:27,020
♪ Baby, relax and see

116
00:28:27,820 --> 00:28:29,940
♪ Your training boots

117
00:28:29,980 --> 00:28:32,500
♪ Gonna caress these back and see!

118
00:28:33,460 --> 00:28:36,900
♪ Heart, the harder you look

119
00:28:36,940 --> 00:28:38,980
♪ Sing it up to me ♪

120
00:29:49,300 --> 00:29:52,740
(SOFT, SCREECHING MUSIC
WITH PENSIVE, OMINOUS UNDERTONES)

121
00:30:04,060 --> 00:30:05,820
(MOBILE VIBRATING, ECHOING)

122
00:30:07,940 --> 00:30:10,260
(MOBILE VIBRATING CLEARLY, DINGING)

123
00:31:07,940 --> 00:31:09,940
(SIGHS)

124
00:31:29,860 --> 00:31:31,860
(CHUCKLES)

125
00:32:07,020 --> 00:32:09,020
Giada.
Giada.

126
00:32:32,980 --> 00:32:34,700
Ligas.

127
00:32:43,380 --> 00:32:45,940
(TENSE, SOFTLY PULSATING MUSIC)

128
00:32:45,980 --> 00:32:47,980
(INHALES SHAKILY, PENSIVELY)

129
00:33:02,940 --> 00:33:04,940
(SIGHS DEEPLY)

130
00:33:05,980 --> 00:33:08,420
(TRAFFIC RUMBLING)
(DISTANT BIRDS CAWING)

131
00:33:10,700 --> 00:33:12,700
Hm.

132
00:33:20,980 --> 00:33:22,980
(LAUGHS)

133
00:33:26,540 --> 00:33:29,220
(MOBILE CHIMING, VIBRATING)

134
00:33:55,540 --> 00:33:57,540
(MOBILE VIBRATING)

135
00:34:21,340 --> 00:34:23,540
Ha! (CHUCKLES,
INHALES THROUGH TEETH)

136
00:34:35,820 --> 00:34:37,820
Giada!

137
00:35:07,500 --> 00:35:09,940
(BREATHING SLOWLY, DEEPLY,
THOUGHTFULLY)

138
00:35:12,980 --> 00:35:14,980
(PENSIVE MUSIC)

139
00:36:11,700 --> 00:36:14,380
(BEATRICE BREATHING DISTORTEDLY)

140
00:36:56,500 --> 00:36:58,500
(SIGHS)

141
00:37:30,660 --> 00:37:32,660
(DISTANT BIKE BELL DINGING)

142
00:38:15,540 --> 00:38:17,540
(BOTH CHUCKLE)

143
00:38:25,300 --> 00:38:27,300
(SOFT, CHEERFUL MUSIC)

144
00:38:29,980 --> 00:38:31,980
(CAR DOOR OPENS)

145
00:38:32,820 --> 00:38:34,820
(CAR DOOR CLOSES)

146
00:38:38,100 --> 00:38:40,660
(TRAFFIC RUMBLING)
(SOFT, MID-TEMPO, CARING MUSIC)

147
00:38:51,980 --> 00:38:53,780
(SNIFFS, GROWLS)

148
00:38:53,820 --> 00:38:56,220
(GIRL CHUCKLES SOFTLY)
(CHUCKLES SOFTLY)

149
00:39:01,540 --> 00:39:04,300
(CHUCKLES)
(CHUCKLES SOFTLY)

150
00:39:30,460 --> 00:39:32,460
(SIGHS)

151
00:39:59,340 --> 00:40:01,340
(CHUCKLES)

152
00:40:14,620 --> 00:40:16,620
(GENTLE, SLOW, TRANQUIL MUSIC)

153
00:41:12,820 --> 00:41:14,500
(LAUGHS)

154
00:41:32,220 --> 00:41:35,380
(CHUCKLES) No.

155
00:41:42,860 --> 00:41:45,100
(DISTORTED, PENSIVE WHOOSHING)

156
00:41:49,460 --> 00:41:52,020
(VOICES ECHOING)

157
00:41:57,940 --> 00:41:59,700
(DRAMATIC ELECTRIC GUITAR MUSIC)

158
00:42:04,540 --> 00:42:06,620
(MUSIC CONTINUES)

159
00:43:26,300 --> 00:43:28,300
Hm.

160
00:44:32,300 --> 00:44:34,060
(SIGHS)

161
00:44:38,940 --> 00:44:40,940
(PENSIVE MUSIC, WHOOSHING)

162
00:45:07,500 --> 00:45:09,820
(SOFT, TENSE, PULSATING MUSIC)

163
00:45:21,980 --> 00:45:24,300
(MUSIC INTENSIFIES SLIGHTLY)

164
00:45:47,300 --> 00:45:49,860
(MUSIC QUICKENS SLIGHTLY)

165
00:45:49,900 --> 00:45:51,860
(SIGHS SOFTLY) No.

166
00:46:14,540 --> 00:46:16,980
(MUSIC QUICKENS FURTHER,
BECOMES SUSPENSEFUL)

167
00:46:25,180 --> 00:46:27,180
(SLOW GUITAR CHORDS)
(SOBBING)

168
00:46:49,220 --> 00:46:51,220
(SORROWFUL, FRAGILE, POIGNANT MUSIC)

169
00:46:53,820 --> 00:46:56,540
(CRYING)

170
00:47:22,940 --> 00:47:25,180
(INHALING SHAKILY)
(MUSIC FADES OUT GRADUALLY)

171
00:47:43,740 --> 00:47:45,740
Giada.

172
00:48:07,660 --> 00:48:09,660
(CHUCKLES)
(UPBEAT MUSIC)

173
00:48:13,540 --> 00:48:15,340
(TRAM AND TRAFFIC RUMBLING)

174
00:48:16,500 --> 00:48:18,220
(RAINFALL)

175
00:48:29,180 --> 00:48:31,300
(BOTH CHUCKLE)

176
00:48:33,300 --> 00:48:34,660
Oh.

177
00:48:34,700 --> 00:48:36,700
♪ STAN LAFERRIERE:
Swing Swang Swung ♪

178
00:48:36,740 --> 00:48:38,380
(SWINGING, BIG-BAND JAZZ MUSIC)

179
00:48:43,220 --> 00:48:46,860
(MUSIC CONTINUES)
(PEOPLE CHATTERING)

180
00:48:54,620 --> 00:48:57,020
(MUSIC SOFTENS CONSIDERABLY,
CONTINUES)

181
00:49:10,140 --> 00:49:12,140
Marta...

182
00:49:13,020 --> 00:49:15,500
(SNIGGERS)
(CHUCKLES)

183
00:49:22,500 --> 00:49:24,500
(SIGHS)

184
00:49:25,820 --> 00:49:27,340
(CAMERA SHUTTERS CLICKING)

185
00:49:35,620 --> 00:49:37,620
Mm-hm.

186
00:49:45,260 --> 00:49:47,260
(CHUCKLES SOFTLY)

187
00:50:18,620 --> 00:50:20,620
(FEEDBACK ON MICROPHONE)

188
00:50:28,060 --> 00:50:30,060
(LAUGHTER)

189
00:50:36,340 --> 00:50:38,260
(APPLAUSE)
(BIG-BAND JAZZ MUSIC RESUMES)

190
00:51:13,580 --> 00:51:15,580
(CHEERS AND APPLAUSE)

191
00:51:19,140 --> 00:51:22,260
(CHEERS AND APPLAUSE CONTINUE)
(PEOPLE SHOUTING OUT APPROVINGLY)

192
00:51:24,780 --> 00:51:27,220
(APPLAUSE FADES)

193
00:51:28,820 --> 00:51:31,460
(CHEERS AND APPLAUSE BUILD)

194
00:51:31,500 --> 00:51:33,740
(CAMERA SHUTTERS CLICKING)

195
00:51:40,820 --> 00:51:42,820
(LAUGHTER)

196
00:51:51,020 --> 00:51:54,100
(CHEERS AND APPLAUSE)
(CAMERA SHUTTERS CLICKING)

197
00:52:02,340 --> 00:52:04,340
(LOUD CHEERS AND APPLAUSE)

198
00:52:09,220 --> 00:52:11,220
(CHEERS AND APPLAUSE STOP)

199
00:52:35,660 --> 00:52:37,140
(TENSE, AWKWARD MUSIC)

200
00:53:18,620 --> 00:53:20,540
(SCATTERED APPLAUSE)
♪ RADIOHEAD: 2   2 = 5 ♪

201
00:53:24,500 --> 00:53:26,460
Uh... (CHUCKLES NERVOUSLY)

202
00:53:34,820 --> 00:53:39,780
♪ Are you such a dreamer

203
00:53:39,820 --> 00:53:44,220
♪ To put the world to rights?

204
00:53:45,700 --> 00:53:51,260
♪ I'll stay home forever...

205
00:53:51,300 --> 00:53:53,940
(SPEECH DISTORTED)

206
00:53:53,980 --> 00:53:59,540
♪ ..Always makes a five...

207
00:54:02,540 --> 00:54:07,860
(DISTORTED APPLAUSE)
♪ It's the devil's way now

208
00:54:10,700 --> 00:54:16,180
♪ There is no way out

209
00:54:18,380 --> 00:54:21,220
♪ You can scream

210
00:54:21,260 --> 00:54:24,340
♪ And you can shout

211
00:54:26,580 --> 00:54:31,780
♪ It is too late now...

212
00:54:32,660 --> 00:54:35,500
(MUSIC BUILDS)
♪ Because

213
00:54:35,540 --> 00:54:38,980
♪ You have not been
Paying attention

214
00:54:39,020 --> 00:54:41,580
♪ Paying attention
Paying attention

215
00:54:41,620 --> 00:54:43,300
♪ Paying attention

216
00:54:43,340 --> 00:54:46,780
♪ You have not been
Paying attention

217
00:54:46,820 --> 00:54:51,060
♪ Paying attention
Paying attention, paying attention

218
00:54:51,100 --> 00:54:54,540
♪ You have not been
Paying attention

219
00:54:54,580 --> 00:54:57,380
♪ Paying attention
Paying attention

220
00:54:57,420 --> 00:54:59,580
♪ Paying attention

221
00:54:59,620 --> 00:55:02,580
♪ You have not been
Paying attention

222
00:55:02,620 --> 00:55:05,620
♪ Paying attention
Paying attention

223
00:55:05,660 --> 00:55:08,220
♪ Paying attention

224
00:55:08,260 --> 00:55:10,980
♪ I, ah...

225
00:55:11,020 --> 00:55:13,700
(RHYTHMICAL ACOUSTIC
AND ELECTRIC GUITAR INSTRUMENTAL)

226
00:55:19,740 --> 00:55:22,500
♪ I try to sing along
But I get it all wrong

227
00:55:22,540 --> 00:55:25,060
♪ Cos I'm not, cos I'm not

228
00:55:26,220 --> 00:55:27,820
♪ I swat 'em like flies

229
00:55:27,860 --> 00:55:29,660
♪ But, like flies,
The bugs keep comin' back

230
00:55:29,700 --> 00:55:32,380
♪ No, but I'm not

231
00:55:32,420 --> 00:55:33,980
♪ All hail to the thief

232
00:55:34,180 --> 00:55:35,780
♪ All hail to the thief

233
00:55:35,820 --> 00:55:38,780
♪ But I'm not, but I'm not

234
00:55:38,980 --> 00:55:42,380
♪ But I'm not, but I'm not

235
00:55:42,420 --> 00:55:45,660
♪ Don't question my authority
Or put me in a box

236
00:55:45,700 --> 00:55:48,660
♪ Cos I'm not, cos I'm not

237
00:55:48,700 --> 00:55:51,940
♪ Oh, go and tell the King
That the sky is falling in

238
00:55:51,980 --> 00:55:55,180
♪ But it's not, but it's not

239
00:55:55,220 --> 00:55:57,860
♪ But it's not, maybe not

240
00:55:57,900 --> 00:55:59,900
♪ Maybe not ♪

241
00:56:01,820 --> 00:56:04,860
(GENTLE, REFLECTIVE,
ETHEREAL PIANO AND SYNTH MUSIC)

242
00:58:29,500 --> 00:58:33,500
(MUSIC FADES, ENDS)

243
00:58:35,540 --> 00:58:39,020
(ELECTRICITY CRACKLES SOFTLY)
(SOFT SYNTH SWELL)

244
00:58:39,060 --> 00:58:44,020
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